Under Review. “The Assertion of Feminist Noir: From María Elvira Bermúdez’s counter-storytelling in ‘Detente, sombra’ (1962) and ‘Las cosas hablan’ (1985) to Patricia Valladares’ punk noir Tan frío como el infierno (2014).”

2021.     “‘Never Stay Silent’: A Pedagogical Approach to The Guardians.” in Transnational Chicanx Perspectives on Ana Castillo. Edited by Bernadine Hernández and Karen R. Roybal. University of Pittsburgh Press. pp. 265-275.

2019. “In Search of Home: Cherríe Moraga’s Native Country of the Heart” Book Review in Boom California, University of California Press. 11 Dec. 2019.

2019.     “Reclaiming Mexico City: Feminist Spatial Justice in Patricia Valladares’ Tan frío como el infierno” in The Azltán Mexican Studies Reader, 1974-2016. Edited and Compiled by Héctor Calderón. UCLA Chicano Studies Research Center. pp. 225-249.

2018      “La mujer en llamas: Legal Storytelling in Lucha Corpi’s Black Widow’s Wardrobe” in Liminality, Hybridity, and American Women’s Literature. Edited by Kristin J. Jacobson, et. al. Palgrave Macmillan. pp. 209-225

2016     “Building From the Embers: A Mexicana-Chicana Memoir” Review of Confessions of a Book Burner by Lucha Corpi (Arte Público Press, 2014) in Confluencia: Revista Hispánica de Cultura y Literatura, vol.31 no.2, Spring 2016, pp. 224-226.

2016    Review. Portable Borders: Performance Art and Politics on the U.S. Frontera Since 1984 by Ila N. Sheren (Austin: University of Texas Press, 2015) in American Literary History Online Review, Series V.

2015    Bivona, Kristal, Sandra Ruiz and Daniel Ward. “Spanish as a Vehicle for Social Change” Journal of Communication and Education: Language Magazine July (2015): 28-29.

2013    Gómez, Isabel, Ramírez Mendoza, Rafael and Ruiz, Sandra. “Toward un estado plurinacional: An Interview with John Beverley on PostSubaltern Studies.” Mester: Hemispheric Intersections 42 (2013): 117-130.

2013    Ruiz, Sandra. Editor-in-Chief. Mester: Hemispheric Intersections. v. 42 (2013). Print.